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thankyou, my concubing. They say the temple resembles the burial dome
of Mycenos in Greece, as well as the pyramids of the Egyptioi, in that
the heavy roof keeps it air-conditioned and shields the inside from
solar light-rays. "I have not seen these places, but I find it hard to
believe that they were furnished only for burial. How could the dancers
let such a nice place go to the dead. It must have been when the
cultured dies that the temples became burial grounds." |
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| Incantation by Carson Garhart Peter Blasser - Namastitar Analog Lute Carson Garhart - voice, trumpet, and Esoterica Analog Wind Processor This piece is inspired by Nirvana and Esoteric Theosophy. The Namastitar Analog Lute is an electro-acoustic instrument, sensitive to electronic touch as well as acoustic touch. Its scale is a "jazz fusion intersection" of Arabic and Japanese flavor. |
| The Silent Barn Song by Johnny Misheff and Severiano Martinez Peter Blasser, Carson Garhart - acapella Dan Conrad - monolithic light box "All I do is whimper since you left my house now, all I do is pray All I do is whimper now that I don't skimper, like I used to do, I'm 4063 Now I just do whimpers, all the day I'm silver, in The Silent Barn Nary was really good at math but I like the way you play Now I can just whimper when I'm in the silver, Witch beyond the day I'm a simple brick layer, all I do is lay bricks, I think of you every day, and then I go away All I do is brick-pips, I can be a stick-shift, Witch beyond the day" |
| Alien Eyes Phantasia by Peter Blasser and Carson Garhart Peter Blasser - Sidrassi Organ, french horn Carson Garhart - trumpet, Esoterica Analog Wind Processor Alien Eyes originally materialized as a pop song in 15-beat, a chant for touring the Deep South and the far West Coast. It is essentially Daoist- exploring the dialectic between a Yin orientation and one of Yang. We have distilled the Yin melody as a carnatic style late-evening abstrusity, and the Yang as a bright mariachi harmonic cannon. The Sidrassi Organ provides comic relief from set dogma with its random devil's tones. The Esoterica Analog Wind Processor offers counterpoint by mimicing the melody at an arbitrary pitch offset. |

Carson Duncan Peter

























